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Carrotty Kid Takes On The Supermarket

A modern supermarket is an ideal battlefield for Carrotty Kid: bright, crowded, over-organised, and packed with strange customs that would confuse anyone raised around castles, carts, and market stalls. The joke begins with a simple collision between medieval thinking and twenty-first-century shopping.

Instead of searching for turnips at a village market, Carrotty Kid must navigate loyalty cards, self-checkouts, reduced-price stickers, automatic doors, and aisles that seem to stretch farther than a royal road. Every ordinary convenience becomes an opportunity for a visual gag.

The setting also suits the quick rhythm of a comic strip. Each panel can introduce a familiar supermarket detail, then twist it through the character’s medieval viewpoint. The result is a lively mix of food humour, fantasy parody, and everyday observations in the spirit of Andy Fanton’s work for The Dandy.

A Hero Among The Shopping Carts

Carrotty Kid enters the supermarket expecting a quest. He may be looking for a legendary golden carrot, a sack of enchanted roots, or simply the ingredients for dinner. Instead, he is handed a shopping basket with a broken handle and directed towards “fresh produce,” a phrase he interprets as a warning that the vegetables may be plotting.

The automatic doors provide an immediate opening gag. Carrotty Kid approaches with his sword raised, ready to duel the invisible gatekeeper, only for the doors to slide open politely. He then spends the rest of the strip trying to impress them, bowing, saluting, and announcing his royal credentials to each entrance.

Shopping carts become another source of trouble. He treats one as a chariot, climbs aboard, and expects a noble steed to pull it. When the cart veers into a display of baked beans, his grand supermarket expedition becomes a very small but extremely messy siege.

Quests In Every Aisle

The cereal aisle can resemble a hall of magical shields, with colourful boxes promising strength, prizes, and cartoon mascots. Carrotty Kid might choose a cereal because its packaging shows a dragon, only to discover that the “fire-breathing” flavour is merely cinnamon. His disappointed expression can carry the final panel without needing much dialogue.

At the checkout, the difference between old-fashioned trade and modern retail becomes even sharper. Carrotty Kid offers a pouch of pebbles, a button, or a promise to defeat a nearby ogre. The cashier calmly explains that the store accepts contactless payment, leaving him to search his armour for a contactless card.

The self-checkout machine should behave like a suspicious mechanical wizard. It demands that he place the item in the bagging area, complains about an unexpected object, and summons assistance when he tries to scan himself. A strip could end with Carrotty Kid declaring victory after defeating the machine, while the screen simply says, “Please take your receipt.”

Old Market, New Rules

Medieval Expectation Supermarket Reality Comic Payoff
A market trader praises every carrot A digital sign gives the price Carrotty Kid seeks compliments from the sign
A wooden cart needs a horse A trolley has a squeaky wheel He challenges the wheel to a race
A wizard guards the treasure A security tag guards the cheese He prepares an elaborate rescue
A town crier announces bargains A loudspeaker makes an announcement He answers the announcement personally
Coins go into a leather purse Payment happens by tapping a screen He tries to tap the screen with a shield

The humour works best when the supermarket remains completely normal. Staff members and shoppers should react with mild confusion rather than astonishment, allowing Carrotty Kid’s dramatic behaviour to stand out against a recognisable background.

A medieval character can also expose the oddness of modern shopping. Why are bananas sold by weight? Why does a tiny packet require a security device? Why does a machine ask whether a customer wants to donate a few pence after already making them wait in a queue? These small observations give the strip a contemporary edge.

The Vegetable Aisle Strikes Back

The produce section should feel like Carrotty Kid’s natural territory, yet it quickly becomes hostile. Bagged salad looks like captured foliage, the misting system resembles a dragon’s breath, and a pile of pumpkins offers too many opportunities for someone to shout, “Beware the orange orbs!”

His relationship with carrots deserves special attention. He might expect the finest specimens to be displayed on a velvet cushion, only to find them bundled together in plastic. A crooked carrot could be treated as a fellow adventurer, while a pre-cut carrot stick is condemned as a warrior who has lost its courage.

The perfect visual climax is a promotional display labelled “Buy One, Get One Free.” Carrotty Kid takes this literally and searches for a second carrot hidden inside the first. When nothing appears, he accuses the supermarket of practising deceptive sorcery.

Building A Fast Comic Strip

A strong version of the supermarket adventure should keep each joke visually clear and allow the character’s confidence to create the chaos. Fanton’s experience with compact comic premises is especially relevant here; his account of producing medieval pun diary shows how much comic mileage can come from a sharply defined theme.

Useful creative choices include:

  • Give Carrotty Kid one clear mission, such as finding the mythical perfect carrot.
  • Use recognisable supermarket details so the fantasy contrast lands quickly.
  • Let background shoppers provide silent reactions through expressions and body language.
  • Save the biggest reversal for the checkout, receipt, or self-service machine.
  • Keep the dialogue short and let props carry the visual punchline.

The strip should feel busy without becoming difficult to read. Aisle signs, price labels, freezer doors, and loyalty-card posters can fill the setting, while Carrotty Kid’s costume gives the eye a clear focal point. His bright carrot-themed appearance should remain easy to spot in every panel.

From Shopping Trip To Comic Adventure

The modern supermarket gives Carrotty Kid a fresh arena while preserving the character’s medieval comic identity. The setting supplies instant contrasts, the food department offers endless wordplay, and everyday technology becomes wonderfully strange when viewed through a heroic fantasy lens.

Turn the visit into a complete mini-quest: send Carrotty Kid through the automatic gates, past the enchanted vegetables, into battle with the self-checkout, and out of the store carrying the wrong bag. A final image of him proudly presenting a single carrot while the rest of his groceries roll away can provide the cheerful, chaotic finish this adventure deserves.

Develop the premise as a strip, drawing, or short sequence for Andy Fanton Dot Com, and let the supermarket become Carrotty Kid’s latest comic kingdom. Give him a quest, load the aisles with visual surprises, and send him back into the world with one heroic root vegetable and a receipt he cannot understand.

Comic Series & Characters

George vs Dragon Boo! Carrotty Kid Bad Grandad Stupid Barrio Brothers Iykan Si-Yu Harry and his Hippo Unseen Dave

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A gallery of cartoon and illustration work featuring characters from Andy's various comic series.

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Blog posts, reviews, and prose covering comedy, books, and comics — including a review of Eric Morecambe's novel Mr. Lonely.

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Information about cartooning, writing, and comedy workshops offered by Andy Fanton.

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Why Andy Fanton?

Published in The Dandy

Multiple comic strips published in the iconic British comic, with up to three strips appearing in a single issue.

Free Comics for Kids

Several comic series available to read online, including George vs Dragon and Boo!.

Trusted Clients

Clients have included The Dandy and HarperCollins (The Friday Project).

Workshops Available

Offering workshops in cartooning, writing, and comedy for aspiring creators.

Featured Comics

George vs Dragon

DetailInformation
PublicationThe Dandy
First seriesPublished in The Dandy, including a two-page festive special in the December 2010 Christmas issue (76 pages, £3.99)
Second seriesReturned in The Dandy issue 3530, April 2011
FormatMedieval mischief comic strip

Other Comic Series

SeriesDescription
Boo!Another comic series by Andy Fanton, available to read online
Carrotty KidA comic series featured on the site
Bad GrandadAppeared in The Dandy; featured in the 7 March 2012 issue alongside two other strips
Stupid Barrio BrothersMini-strip series — Barry Barrio becomes invincible
Iykan Si-YuMini-strip series — the world's worst ninja, debuted 7 March 2012 in The Dandy
Harry and his HippoA comic series featured on the site
Unseen DaveA comic series featured on the site

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