Empty curved wooden floor and backdrop, dark brown tones, studio-style setting

The personal website of cartoonist, writer, and comedian Andy Fanton

Build a portfolio website without coding

Turning a folder of cartoons, photographs, writing and television pitches into a portfolio website can feel easier than learning a programming language. A no-code approach lets you publish the work first, shape it as your career changes and avoid paying a developer for routine layout changes.

A portfolio should do more than display finished pieces. It should explain your creative interests, show how you approach a brief and give visitors an obvious next step. Clear project descriptions and confident navigation matter more than complicated effects or a maze of animated menus.

No-code platforms put the design controls where you can see them. Drag-and-drop builders, flexible templates and visual content management systems remove much of the technical work, while built-in forms, galleries and analytics handle common website jobs.

For Australian creatives, the tone can remain friendly and direct while using familiar spelling such as “colour”, “favourite” and “organisation”. Whether you work with clients in Melbourne, serve audiences across Australia or pursue overseas opportunities, a clear personal voice helps the work travel.

Start with the work

Begin by identifying the people you want to reach: editors, commissioning agents, potential collaborators, fellow cartoonists or clients hiring a creative freelancer. Their needs should shape the order of the site. An editor may want a quick view of published strips, while a client may look first for commercial work and testimonials.

Choose three strong projects to anchor the home page, then organise the rest by category or purpose. Each project deserves a concise introduction, an effective image, relevant credits and a link to a deeper case study. A playful portfolio can still be disciplined; strong hierarchy stops a large archive from feeling random.

Choose a no-code platform

Wix, Squarespace, Webflow, WordPress.com and Canva Sites offer different balances of flexibility and simplicity. Compare their image galleries, custom fonts, forms, pricing and export options rather than choosing from the most attractive home page alone. A free trial is enough to test the editor and publish a small draft.

Your domain is part of the professional package. Australian creators might consider an .au or .com.au address, although both have eligibility requirements that should be checked before purchase. Compare annual costs in AUD and see which platforms include domain registration, hosting and SSL certificates in the total.

Avoid choosing a platform because one special feature appears essential today. You are more likely to need reliable hosting, straightforward editing and support for images, video and text. Confirm that your plan can handle a growing archive without forcing an expensive upgrade when the number of visitors increases.

Create a clear visual journey

Sketch the journey before choosing colours. Most visitors should move from a strong opening statement to a project gallery, background information, selected clients and a contact area. Keep the home page breathable by giving each section one purpose, and use captions to guide people towards the work rather than expecting them to infer the story from images alone.

Typography, colour and spacing should reflect your creative personality without competing with the artwork. If your humour is medieval, absurd or sharply observed, the site can carry that character through its copy and visual details. Pages such as George vs Dragon, Boo!, Carrotty Kid and Bad Grandad can sit beside broader information about your published work and television projects.

Longer pieces deserve room to breathe. A focused post about outdoor dining tables can become a useful mini case study by explaining the subject, the thinking behind it and what viewers can explore. Apply the same approach to your own developments, mini-strips or writing, turning individual pieces into a portfolio that feels active rather than archived.

Design for busy thumbs

Most first visits will happen on a phone, often while someone is travelling between meetings or scrolling during spare moments. Test every page on several screen sizes, checking that text remains readable, buttons have room to tap and images do not force slow loading. A memorable desktop design is of little value if the project gallery breaks on a smaller screen.

Fast-loading pages also improve search visibility and make shared work easier to enjoy. Compress oversized images, remove unused media and enable any caching or optimisation tools offered by the platform. Test a project page with mobile data rather than judging it only on an office connection.

Accessibility should be included from the start. Add meaningful alternative text, maintain strong colour contrast, provide captions for video and use descriptive link text. These practices make the portfolio usable for more people and help you maintain a polished standard as you add new work.

Build trust into the site

An about page can explain your background, working style, publications and areas of interest without becoming a long autobiography. Include a small selection of testimonials, credit the people and publications involved, and distinguish between professional commissions, published work and personal projects. This gives visitors enough context to judge a potential collaboration accurately.

Give people an easy way to respond. Even a one-page site can close the loop with a dedicated contact page, a short brief form and clear information about what you are seeking. Prompts such as “Ask about a commission” or “Share a publishing idea” are more useful than a generic “Get in touch” button.

If a form collects addresses for future updates, follow the Australian Spam Act 2003, including clear consent, sender identification and a simple unsubscribe option. State what will happen after someone submits the form. Visitors are more likely to complete it when they know whether to expect a reply, how their details will be used and why a piece of information is required.

Launch small and keep moving

Begin with a simple version containing your best work and enough background for someone to understand your direction. Connect the domain, check each page link, test the contact form and view the finished site on a phone. Set up basic analytics to learn which projects receive attention, but collect only the information you genuinely need and provide an appropriate privacy notice.

Keep an export or backup of your images, text and project descriptions. Update the portfolio when you publish something substantial, rather than waiting for a perfect redesign. A current site with three excellent projects is more valuable than an elaborate site filled with unfinished examples or outdated links.

Choose one builder, place your three strongest projects in it and publish your portfolio today.

Comic Series & Characters

George vs Dragon Boo! Carrotty Kid Bad Grandad Stupid Barrio Brothers Iykan Si-Yu Harry and his Hippo Unseen Dave

Explore the Site

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Drawings

A gallery of cartoon and illustration work featuring characters from Andy's various comic series.

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Writings

Blog posts, reviews, and prose covering comedy, books, and comics — including a review of Eric Morecambe's novel Mr. Lonely.

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TV & Fant-O-Films

Television-related projects and the Fant-O-Films section, showcasing Andy's screen work.

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Mini-Strips

Short comic strips including Stupid Barrio Brothers and Iykan Si-Yu, as seen in The Dandy.

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Workshops

Information about cartooning, writing, and comedy workshops offered by Andy Fanton.

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Blog

Thoughts on comics, comedy, books, and life as a cartoonist — written in a humorous, conversational style.

Why Andy Fanton?

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Published in The Dandy

Multiple comic strips published in the iconic British comic, with up to three strips appearing in a single issue.

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Free Comics for Kids

Several comic series available to read online, including George vs Dragon and Boo!.

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Trusted Clients

Clients have included The Dandy and HarperCollins (The Friday Project).

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Workshops Available

Offering workshops in cartooning, writing, and comedy for aspiring creators.

Featured Comics

George vs Dragon

DetailInformation
PublicationThe Dandy
First seriesPublished in The Dandy, including a two-page festive special in the December 2010 Christmas issue (76 pages, £3.99)
Second seriesReturned in The Dandy issue 3530, April 2011
FormatMedieval mischief comic strip

Other Comic Series

SeriesDescription
Boo!Another comic series by Andy Fanton, available to read online
Carrotty KidA comic series featured on the site
Bad GrandadAppeared in The Dandy; featured in the 7 March 2012 issue alongside two other strips
Stupid Barrio BrothersMini-strip series — Barry Barrio becomes invincible
Iykan Si-YuMini-strip series — the world's worst ninja, debuted 7 March 2012 in The Dandy
Harry and his HippoA comic series featured on the site
Unseen DaveA comic series featured on the site

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