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Boo Tries To Scare A Cat

Boo’s job sounds wonderfully straightforward: hide in the shadows, spring into view, and frighten someone. A cat, however, is a particularly awkward target. It already moves like a tiny burglar, reacts to every creak, and can stare into an empty corner as if it knows something everyone else has missed.

That makes a meeting between Boo and a cat ideal cartoon material. The ghost arrives with theatrical confidence, expecting a shriek, while the cat brings its own instincts, indifference, and unpredictable sense of timing. The joke grows from the gap between the scare Boo imagines and the response he actually gets.

This kind of compact setup suits Andy Fanton’s playful approach to comic storytelling. Like his work for The Dandy, it can turn a familiar gag into a sharp character moment through expressive drawings, quick pacing, and one beautifully mistimed surprise.

The Setup Is Almost Too Simple

The strongest cartoon premises often need very little explanation. Boo wants to scare a cat; the cat is nearby; the reader understands the danger of the plan immediately. There is no need for a complicated haunting or an elaborate backstory. The fun comes from watching the plan unfold.

Boo’s confidence is essential. He is not merely wandering past the animal and accidentally causing a fright. He is attempting a proper ghostly performance, complete with concealment, suspense, and the expectation of a dramatic reaction. That seriousness makes the eventual failure, confusion, or reversal much funnier.

Why The Cat Changes Everything

A human character would probably provide a familiar scream, a startled leap, or a frantic dash across the room. A cat gives the cartoon a wider range of comic possibilities. It might arch its back, flatten its ears, calmly inspect Boo, or decide that the ghost is less interesting than something behind him.

The cat’s personality can remain almost unreadable, which gives every pause extra value. Is it frightened? Curious? Annoyed? Completely unimpressed? A single narrowed eye or twitching tail can carry the whole punchline, especially when Boo is working desperately hard to create a dramatic supernatural moment.

Timing Turns A Scare Into A Gag

Cartoon comedy depends on the space between actions. Boo may wait in position, imagine the perfect reaction, and then reveal himself at exactly the wrong moment. The cat’s response could arrive too early, too late, or in a direction Boo never anticipated.

Comic element Expected result Funniest possible twist
Boo’s dramatic reveal The cat should leap away The cat barely reacts
A suspicious noise Boo thinks the tension is building The cat made the noise while grooming
A dark hiding place Boo gains the advantage The cat has already spotted him
A sudden movement Both characters are startled Boo scares himself
The final pose Boo looks triumphant The cat treats him like a piece of furniture

The table of possibilities shows why the premise has so much room to move. The scare itself is only the beginning. The real punchline comes from contrast: Boo is operating according to ghost-story rules, while the cat follows the private, unknowable logic of cats.

That reversal also keeps the scene gentle. The humor does not need cruelty or a genuinely threatening monster. Boo can be enthusiastic, theatrical, and slightly embarrassed, while the cat remains a small agent of chaos.

A Small Scene With Big Comic Energy

A good comic strip can suggest an entire room with a few visual clues: a doorway, a shadow, a rug, or a piece of furniture large enough to hide behind. Once the setting is clear, the reader can focus on the performers. Boo’s pale shape and expressive posture contrast naturally with the cat’s compact silhouette.

The visual rhythm matters as much as the words. A quiet panel can show Boo waiting. A second can tighten the suspense with the cat approaching. The reveal then breaks the pattern. If the cat responds with a bored blink, the empty space around that reaction becomes part of the joke.

Readers who enjoy Boo’s supernatural misadventures can also follow the character into a more disorienting situation in the story where Boo gets lost. The same appeal is present there: a supposedly capable spooky figure meets a problem that refuses to behave according to plan.

Details That Make The Encounter Memorable

The best version of this gag would give both characters a clear comic identity. Boo should feel committed to the performance, while the cat should seem perfectly comfortable in its own world. Small details can sharpen that contrast:

  • Give Boo an oversized, carefully rehearsed scare pose.
  • Let the cat notice something completely unrelated to the haunting.
  • Use a pause before the reveal so the reader anticipates a big reaction.
  • Make the final expression easy to read without adding extra dialogue.
  • End on Boo’s reaction, especially if his confidence has quietly disappeared.

These choices keep the joke character-driven rather than relying on a single surprise. Boo is funny because he wants the scare to work so badly. The cat is funny because it refuses to acknowledge the rules of the performance.

A Perfect Match For Fanton’s Comic World

Boo belongs to a style of humor where the supernatural can be silly, domestic, and oddly relatable. A ghost haunting a castle is familiar; a ghost trying to frighten a household pet creates a smaller, stranger problem. That contrast gives the character room to be both spooky and vulnerable.

It also connects with the wider appeal of Andy Fanton’s portfolio, which moves comfortably between cartoon strips, mini-strips, drawings, writing, and medieval-themed comedy. Whether the setting involves a dragon, a grumpy grandparent, or a determined ghost, the recurring pleasure is seeing a bold plan collide with an inconvenient personality.

The cat encounter works because it makes Boo’s world feel larger without making the story complicated. After one failed scare, readers can imagine him trying again with a new strategy, a louder “boo,” or an even more elaborate hiding place.

Keep exploring the comic work, drawings, and written projects featured on Andy Fanton Dot Com, and send a message through contact Andy to follow the creator’s latest work and characters.

Comic Series & Characters

George vs Dragon Boo! Carrotty Kid Bad Grandad Stupid Barrio Brothers Iykan Si-Yu Harry and his Hippo Unseen Dave

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Drawings

A gallery of cartoon and illustration work featuring characters from Andy's various comic series.

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Writings

Blog posts, reviews, and prose covering comedy, books, and comics — including a review of Eric Morecambe's novel Mr. Lonely.

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TV & Fant-O-Films

Television-related projects and the Fant-O-Films section, showcasing Andy's screen work.

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Mini-Strips

Short comic strips including Stupid Barrio Brothers and Iykan Si-Yu, as seen in The Dandy.

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Information about cartooning, writing, and comedy workshops offered by Andy Fanton.

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Blog

Thoughts on comics, comedy, books, and life as a cartoonist — written in a humorous, conversational style.

Why Andy Fanton?

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Published in The Dandy

Multiple comic strips published in the iconic British comic, with up to three strips appearing in a single issue.

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Free Comics for Kids

Several comic series available to read online, including George vs Dragon and Boo!.

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Trusted Clients

Clients have included The Dandy and HarperCollins (The Friday Project).

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Workshops Available

Offering workshops in cartooning, writing, and comedy for aspiring creators.

Featured Comics

George vs Dragon

DetailInformation
PublicationThe Dandy
First seriesPublished in The Dandy, including a two-page festive special in the December 2010 Christmas issue (76 pages, £3.99)
Second seriesReturned in The Dandy issue 3530, April 2011
FormatMedieval mischief comic strip

Other Comic Series

SeriesDescription
Boo!Another comic series by Andy Fanton, available to read online
Carrotty KidA comic series featured on the site
Bad GrandadAppeared in The Dandy; featured in the 7 March 2012 issue alongside two other strips
Stupid Barrio BrothersMini-strip series — Barry Barrio becomes invincible
Iykan Si-YuMini-strip series — the world's worst ninja, debuted 7 March 2012 in The Dandy
Harry and his HippoA comic series featured on the site
Unseen DaveA comic series featured on the site

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