Boo Tries To Scare A Cat
Boo’s job sounds wonderfully straightforward: hide in the shadows, spring into view, and frighten someone. A cat, however, is a particularly awkward target. It already moves like a tiny burglar, reacts to every creak, and can stare into an empty corner as if it knows something everyone else has missed.
That makes a meeting between Boo and a cat ideal cartoon material. The ghost arrives with theatrical confidence, expecting a shriek, while the cat brings its own instincts, indifference, and unpredictable sense of timing. The joke grows from the gap between the scare Boo imagines and the response he actually gets.
This kind of compact setup suits Andy Fanton’s playful approach to comic storytelling. Like his work for The Dandy, it can turn a familiar gag into a sharp character moment through expressive drawings, quick pacing, and one beautifully mistimed surprise.
The Setup Is Almost Too Simple
The strongest cartoon premises often need very little explanation. Boo wants to scare a cat; the cat is nearby; the reader understands the danger of the plan immediately. There is no need for a complicated haunting or an elaborate backstory. The fun comes from watching the plan unfold.
Boo’s confidence is essential. He is not merely wandering past the animal and accidentally causing a fright. He is attempting a proper ghostly performance, complete with concealment, suspense, and the expectation of a dramatic reaction. That seriousness makes the eventual failure, confusion, or reversal much funnier.
Why The Cat Changes Everything
A human character would probably provide a familiar scream, a startled leap, or a frantic dash across the room. A cat gives the cartoon a wider range of comic possibilities. It might arch its back, flatten its ears, calmly inspect Boo, or decide that the ghost is less interesting than something behind him.
The cat’s personality can remain almost unreadable, which gives every pause extra value. Is it frightened? Curious? Annoyed? Completely unimpressed? A single narrowed eye or twitching tail can carry the whole punchline, especially when Boo is working desperately hard to create a dramatic supernatural moment.
Timing Turns A Scare Into A Gag
Cartoon comedy depends on the space between actions. Boo may wait in position, imagine the perfect reaction, and then reveal himself at exactly the wrong moment. The cat’s response could arrive too early, too late, or in a direction Boo never anticipated.
| Comic element | Expected result | Funniest possible twist |
|---|---|---|
| Boo’s dramatic reveal | The cat should leap away | The cat barely reacts |
| A suspicious noise | Boo thinks the tension is building | The cat made the noise while grooming |
| A dark hiding place | Boo gains the advantage | The cat has already spotted him |
| A sudden movement | Both characters are startled | Boo scares himself |
| The final pose | Boo looks triumphant | The cat treats him like a piece of furniture |
The table of possibilities shows why the premise has so much room to move. The scare itself is only the beginning. The real punchline comes from contrast: Boo is operating according to ghost-story rules, while the cat follows the private, unknowable logic of cats.
That reversal also keeps the scene gentle. The humor does not need cruelty or a genuinely threatening monster. Boo can be enthusiastic, theatrical, and slightly embarrassed, while the cat remains a small agent of chaos.
A Small Scene With Big Comic Energy
A good comic strip can suggest an entire room with a few visual clues: a doorway, a shadow, a rug, or a piece of furniture large enough to hide behind. Once the setting is clear, the reader can focus on the performers. Boo’s pale shape and expressive posture contrast naturally with the cat’s compact silhouette.
The visual rhythm matters as much as the words. A quiet panel can show Boo waiting. A second can tighten the suspense with the cat approaching. The reveal then breaks the pattern. If the cat responds with a bored blink, the empty space around that reaction becomes part of the joke.
Readers who enjoy Boo’s supernatural misadventures can also follow the character into a more disorienting situation in the story where Boo gets lost. The same appeal is present there: a supposedly capable spooky figure meets a problem that refuses to behave according to plan.
Details That Make The Encounter Memorable
The best version of this gag would give both characters a clear comic identity. Boo should feel committed to the performance, while the cat should seem perfectly comfortable in its own world. Small details can sharpen that contrast:
- Give Boo an oversized, carefully rehearsed scare pose.
- Let the cat notice something completely unrelated to the haunting.
- Use a pause before the reveal so the reader anticipates a big reaction.
- Make the final expression easy to read without adding extra dialogue.
- End on Boo’s reaction, especially if his confidence has quietly disappeared.
These choices keep the joke character-driven rather than relying on a single surprise. Boo is funny because he wants the scare to work so badly. The cat is funny because it refuses to acknowledge the rules of the performance.
A Perfect Match For Fanton’s Comic World
Boo belongs to a style of humor where the supernatural can be silly, domestic, and oddly relatable. A ghost haunting a castle is familiar; a ghost trying to frighten a household pet creates a smaller, stranger problem. That contrast gives the character room to be both spooky and vulnerable.
It also connects with the wider appeal of Andy Fanton’s portfolio, which moves comfortably between cartoon strips, mini-strips, drawings, writing, and medieval-themed comedy. Whether the setting involves a dragon, a grumpy grandparent, or a determined ghost, the recurring pleasure is seeing a bold plan collide with an inconvenient personality.
The cat encounter works because it makes Boo’s world feel larger without making the story complicated. After one failed scare, readers can imagine him trying again with a new strategy, a louder “boo,” or an even more elaborate hiding place.
Keep exploring the comic work, drawings, and written projects featured on Andy Fanton Dot Com, and send a message through contact Andy to follow the creator’s latest work and characters.
Comic Series & Characters
Explore the Site
Drawings
A gallery of cartoon and illustration work featuring characters from Andy's various comic series.
Writings
Blog posts, reviews, and prose covering comedy, books, and comics — including a review of Eric Morecambe's novel Mr. Lonely.
TV & Fant-O-Films
Television-related projects and the Fant-O-Films section, showcasing Andy's screen work.
Mini-Strips
Short comic strips including Stupid Barrio Brothers and Iykan Si-Yu, as seen in The Dandy.
Workshops
Information about cartooning, writing, and comedy workshops offered by Andy Fanton.
Blog
Thoughts on comics, comedy, books, and life as a cartoonist — written in a humorous, conversational style.
Why Andy Fanton?
Published in The Dandy
Multiple comic strips published in the iconic British comic, with up to three strips appearing in a single issue.
Free Comics for Kids
Several comic series available to read online, including George vs Dragon and Boo!.
Trusted Clients
Clients have included The Dandy and HarperCollins (The Friday Project).
Workshops Available
Offering workshops in cartooning, writing, and comedy for aspiring creators.
Featured Comics
George vs Dragon
| Detail | Information |
|---|---|
| Publication | The Dandy |
| First series | Published in The Dandy, including a two-page festive special in the December 2010 Christmas issue (76 pages, £3.99) |
| Second series | Returned in The Dandy issue 3530, April 2011 |
| Format | Medieval mischief comic strip |
Other Comic Series
| Series | Description |
|---|---|
| Boo! | Another comic series by Andy Fanton, available to read online |
| Carrotty Kid | A comic series featured on the site |
| Bad Grandad | Appeared in The Dandy; featured in the 7 March 2012 issue alongside two other strips |
| Stupid Barrio Brothers | Mini-strip series — Barry Barrio becomes invincible |
| Iykan Si-Yu | Mini-strip series — the world's worst ninja, debuted 7 March 2012 in The Dandy |
| Harry and his Hippo | A comic series featured on the site |
| Unseen Dave | A comic series featured on the site |