Boo Goes To A Haunted Library
Boo is perfectly suited to a place where the books whisper, the lights flicker, and every checkout desk has a supernatural secret. A haunted library gives the character a familiar setting with wonderfully strange rules, allowing an ordinary visit to become a fast-moving comic adventure.
The premise also creates room for visual jokes. An overdue notice might chase its reader down a corridor, a history book could rewrite itself, and a ghostly librarian may be stricter about silence than any living member of staff. The comedy grows from treating these impossible events as everyday library problems.
This kind of story fits naturally beside the playful energy associated with Andy Fanton’s comic work, including the mischievous spirit of Boo! and the creator’s fondness for bold characters, compact gags, and medieval-flavored absurdity.
A Quiet Building With Noisy Secrets
Boo enters the library expecting a peaceful afternoon among the shelves. Instead, the front doors groan shut behind them, the lamps turn blue, and a return slot lets out a disappointed sigh. The building appears empty, yet the sound of hurried footsteps travels across the upper floor.
The first visual joke should arrive quickly: a sign declares that the library is closed after sunset, while a second sign announces that sunset has been happening repeatedly for several centuries. This establishes the setting as eerie without making it too frightening. The haunted library is strange, but it remains a place where paperwork and public notices still matter.
Boo Finds The Wrong Shelf
Searching for a book on ghosts, Boo discovers that the books have rearranged themselves. Fiction has moved into the reference section, cookbooks are hiding in mythology, and a huge volume marked Do Not Open has been placed on a children’s shelf. Every attempt to restore order causes the shelves to shuffle again.
A ghostly librarian eventually appears, floating through the stacks with a ring of keys and an expression of deep professional irritation. The librarian is less concerned about the haunting than about Boo touching books with sticky hands. That contrast keeps the story comic: the supernatural staff member has completely ordinary workplace priorities.
The Rules Of The Supernatural Archive
The paranormal reading room can operate according to a few simple rules, each one designed to create another gag. Visitors must whisper, books must be returned before midnight, and anyone who reads a spell aloud becomes responsible for the consequences.
| Library Rule | What Boo Does | Comic Result |
|---|---|---|
| Keep silent in the stacks | Shouts for help | The shelves shout back |
| Return books on time | Hides an overdue volume | The book grows legs |
| Do not disturb sleeping spirits | Opens a dusty atlas | A ghost demands directions |
| Use the self-checkout machine | Scans a haunted novel | The machine checks out Boo |
| Leave before midnight | Gets distracted by a secret door | The whole building locks itself |
These rules give the story a clear rhythm. Boo breaks one instruction, tries to fix the problem, and accidentally triggers something larger. The reader understands the pattern while still enjoying the surprise behind each new door or bookcase.
A Comic Setting With Plenty Of Character
The library should feel like a character rather than a backdrop. Its staircases can move when nobody is looking, portraits can complain about the lighting, and the card catalogue can quietly judge everyone’s reading choices. Small details make the setting memorable and reward readers who examine each panel.
The story also benefits from the contrast between Boo’s reaction and the library’s attitude. Boo may treat every rattling chain as a crisis, while the staff regard it as a minor maintenance issue. A librarian repairing a floating chandelier with a step ladder can be funnier than a dramatic monster because the scene combines the familiar with the impossible.
Readers interested in the wider creative world behind these ideas can browse Andy Fanton’s blog, where comic work, writing, and other projects offer further context for his distinctive sense of humor.
Building Toward A Bigger Haunting
The opening can focus on small disturbances, but the middle of the strip should reveal that the library has a much larger problem. A locked book may contain the building’s missing ghost, or the entire collection may be trying to escape before a mysterious inspection.
Boo could become the accidental hero by finding the one volume that explains how to settle the spirits. Unfortunately, the instructions are written in disappearing ink, upside down, and across several books that refuse to stay together. The solution becomes a chase through the spooky stacks, with Boo pursued by animated bookmarks, rolling ladders, and an increasingly impatient librarian.
Details That Make The Gag Work
A strong haunted-library comic can balance atmosphere with quick visual payoffs. The following details would give the setting a lively identity:
- A “Silence Please” sign that screams whenever somebody speaks.
- A ghost who keeps losing their place in the same enormous book.
- A lift that stops at floors belonging to different centuries.
- A children’s storybook whose characters complain about their endings.
- A checkout stamp that marks every borrower as “property of the library.”
The final gag could send Boo racing toward the exit, convinced the haunting is over. Outside, a small mobile library waits at the curb, its driver wearing the same ghostly librarian’s expression. Boo returns one book, only to discover that the entire town has been checked out along with it.
Give this haunted library its own visual rules, recurring staff jokes, and escalating surprises. Then explore the comic, discover what Boo finds between the shelves, and follow the next strange adventure through Andy Fanton’s creative world.
Comic Series & Characters
Explore the Site
Drawings
A gallery of cartoon and illustration work featuring characters from Andy's various comic series.
Writings
Blog posts, reviews, and prose covering comedy, books, and comics — including a review of Eric Morecambe's novel Mr. Lonely.
TV & Fant-O-Films
Television-related projects and the Fant-O-Films section, showcasing Andy's screen work.
Mini-Strips
Short comic strips including Stupid Barrio Brothers and Iykan Si-Yu, as seen in The Dandy.
Workshops
Information about cartooning, writing, and comedy workshops offered by Andy Fanton.
Blog
Thoughts on comics, comedy, books, and life as a cartoonist — written in a humorous, conversational style.
Why Andy Fanton?
Published in The Dandy
Multiple comic strips published in the iconic British comic, with up to three strips appearing in a single issue.
Free Comics for Kids
Several comic series available to read online, including George vs Dragon and Boo!.
Trusted Clients
Clients have included The Dandy and HarperCollins (The Friday Project).
Workshops Available
Offering workshops in cartooning, writing, and comedy for aspiring creators.
Featured Comics
George vs Dragon
| Detail | Information |
|---|---|
| Publication | The Dandy |
| First series | Published in The Dandy, including a two-page festive special in the December 2010 Christmas issue (76 pages, £3.99) |
| Second series | Returned in The Dandy issue 3530, April 2011 |
| Format | Medieval mischief comic strip |
Other Comic Series
| Series | Description |
|---|---|
| Boo! | Another comic series by Andy Fanton, available to read online |
| Carrotty Kid | A comic series featured on the site |
| Bad Grandad | Appeared in The Dandy; featured in the 7 March 2012 issue alongside two other strips |
| Stupid Barrio Brothers | Mini-strip series — Barry Barrio becomes invincible |
| Iykan Si-Yu | Mini-strip series — the world's worst ninja, debuted 7 March 2012 in The Dandy |
| Harry and his Hippo | A comic series featured on the site |
| Unseen Dave | A comic series featured on the site |